|
by
Michelle Carr
This
interview was originally published
in the September 11, 1997 Velvet Hammer
souvenir programme.
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Velvet
Hammer: There was
an inescapable noir atmosphere in L.A. at that time, especially
with the notorious Black Dahlia case. Did you ever run into her?
Anton LaVey:
You read my mind!! There are so many loose ends.
I have files and files on her. As a matter of fact, shortly before
she was killed, she was living in the back room of a mortuary.
Velvet Hammer:
Why do you think the Black Dahlia case haunts people to this day?
Anton LaVey:
It’s a strange case, that one victim could illicit such an
incredible amount of speculation. Just one girl, Elizabeth Short....
It was grisly, but it wasn’t like a, well, there have been
a series of ”torso slayings” and dismemberment —
but none of them have had this kind of staying power. A combination
of ingredients: the time, the place, the girl.... The time was
right in the heart of the noir era, the apex of film noir, that
dark brooding tragic relief from WWII, in L.A., more profound
than any other city. A haunted place then, the boulevard of broken
dreams. These aspects wrapped up in this one place, with decaying
stucco mansions, the past glories of the Hollywood silent era.
There was a lot of scandal, futility.
Velvet Hammer:
In life what do you think she was like? The smile carved into
her face, the henna-ed hair — was it all symbolic?
Anton LaVey:
A stereotype of a real loser, the Black Dahlia, she was someone
who was just waiting for an executioner, waiting for it to happen.
She was an ideal victim. I’ve met quite a few like her. They’re
just crying out, not just to be killed, but also tortured. She
seemed very parasitic, a psychic vampire. Maybe she just met the
wrong guy who was out on a lark. She wanted commitments from him,
he was easily pushed over the edge. I guess she was rather sullen,
she wasn’t what you’d call scintillating. So, being
sort of dour like she was, it was natural — if you can say
natural — the killer would just get fed up with her brooding
and surliness. He wanted to “brighten” her up and put
a smile on her face.
Velvet Hammer:
What’s your favorite area in Los Angeles?
Anton LaVey:
Los Feliz Hills and Franklin area around Cahuenga, the east side.
The original homicide detective’s scrapbook of Death Scenes
was stored right here in this room. Adam Parfrey came up with
the idea to do a reprinting of the whole thing. It’s great
that it did come out. Velvet Hammer: Death Scenes is my
coffee table book. What a conversation piece. It’s fascinating
and eerie that the actual addresses and, in some cases, the apartment
numbers of these hideous scenes are printed in the book. We’ve
driven past them several times knowing what went on in these places
unbeknownst to the current occupants....
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to continue |
